Aljuš Musli (1944–1999), a young Muslim photographer from my hometown of Bijeljina
(population 10,000-15,000 at that time), who was a passionate Western films lover, so much that starting in the seventies he changed his name to Hari Džekson and devoted all the time and
money he had to shooting Western movies, with 8mm camera. He and his friends, fellow "actors" built sets of Western towns from scratch. Local peasants were supplying them with horses and
local Roms (Gypsies) acted as Indians. At that time he became a cult personality.
Unfortunately, by now he is mostly forgotten.
Soon I will be taking his photographs to the West of USA, he deserved to finally make that trip.
Unfortunately, all links and stories I have about Hari are in Bosnian language.
More about Hari Džekson here.
___
I par isjecaka iz clanka “Vecernjih novosti” (06.04.2010):
*
Sem Harija, Nastić, Muratović i Ristić se sećaju i drugara Ota i Žaka, koji su na snimanju
`popili mnogo batina`, jer se to radilo odistinski, nije se moglo odglumiti.
- Mašinovođu potplatimo sa litrom rakije i dve porcije ćevapa, da malo uspori voz, kako bismo snimili scenu pljačke voza. Nije nama ništa posebno trebalo. Kamenolom imaš u Teočaku, Drina ti je kao Rio Grande, u Jablanuši je ona livada bila jalova, ništa se na njoj nije sejalo, bila je bolja nego prava prerija. U mahali nađemo nekoliko Roma, samo im stavimo ratničke boje, pa kao pravi Indijanci.
I seljaci su bili dobri, davali nam svoju stoku kad god je trebalo da snimimo krdo goveda, milo im da se njihova goveda pojave u filmu - priča Juso Muratović, čiji je čitav život obeležen filmom.
*
HARI Džekson je u to vreme bio veoma popularan, pa su nas zvali da snimamo reklame. Vršačka pivara nam je 1987. ponudila da snimimo reklamu za sok. Bili su slogani `Hari Džekson pije sok, alkoholu kaže jok` i `Žedan sam ko pas, daj mi ananas`. Ja sam dobio honorar od 37.000 dinara.
Ali, sve je pojela inflacija, takvo je vreme bilo - kaže Đorđe Nastić.
No comments:
Post a Comment