The Clenching Fist

 I am a visual type. Because of that, I pay attention to visual elements. Sometimes, they are very puzzling to me.

One of those is this clenching fist that I've been noticing for the past 20+ years. With very characteristic details highlighted here in pink circles, especially the one highlighted in the red circle, I see exactly the same fist appearing again and again. In some cases, it's exactly copy-pasted, or photocopied before computers.

 

The exact same fist is used by totally opposite groups/movements—from racist Aryan groups, White Power to the Black Panther Party/Black Power and Black Lives Matter and everything in between.

 

https://br.m.wikipedia.org/.../Restr:Racist_Aryan_Fist_or...

https://medium.com/.../the-black-panther-party-b7ce0268002b

https://en.wikipedia.org/wiki/Black_power

https://www.etsy.com/.../black-lives-matter-svg-digitized...

 

Even the American Association of University Professors and the American Federation of Teachers use a slightly modified version of the same fist.

 

I am very curious about whose original drawing was this fist.

If by any chance you know this, please let me know.

 

 

"Floyd Collins" Musical

This days at Lincoln Center you can see posters with my illustration for the Lincoln Center Theater's musical Floyd Collins. The poster is art directed by Nicky Lindeman at SpotCo.

You can read more about this project here.

 

"Texas Kid, My Bro" by Igor Kordej

Another gift from my friend Igor Kordej.

A few days ago, Igor gifted me this beautifully drawn and intense comic Texas Kid, My Bro, published by the Croatian publisher Fibra.

Igor is one of my longest-known friends. We've known each other since 1972 and have shared many personal and work-related adventures.

 

 

Not all comics in my collection are acquisitions. Some are gifts from my friends, like this recent present from Igor Kordey. 

This beautifully drawn page is from the soon-to-be-published second volume of the comic Marshall Bass. The comic, drawn by Igor Kordey and written by Darko Macan, is based on the life of Bass Reeves.

Bass was a runaway slave, gunfighter, farmer, scout, tracker, railroad agent, and deputy U.S. Marshal. He spoke the languages of several Native American tribes including Cherokee, Choctaw, Chickasaw, Seminole and Creek. He was one of the first African-American Deputy U.S. Marshals west of the Mississippi River, mostly working in the deadly Indian Territory. The region was saturated with horse thieves, cattle rustlers, gunslingers, bandits, bootleggers, swindlers, and murderers. Reeves made up to 4,000 arrests in his lifetime, killing twenty men in the line of duty.

 

 

 

 

Lecture to Future Police Officers on Symbols of Hate

On December 6th, I was giving a lecture on symbols of hate was held for 48 new police recruits in the Training Center of the Ministry of Internal Affairs in Skopje, North Macedonia.

I was invited to come to the Center by invitation of the Assistant Minister of the Training Center, Mr. Vlatko Mitkovski.

During the lecture, I spoke about the importance of recognizing and understanding the meaning of the symbols of hate used by neo-Nazis, racists, and various hate groups, which bombard society daily through the Internet, street graffiti, and different sports fan groups. He explained how police officers, as part of their professional work, must learn to recognize these symbols and do everything in their power to stop the spread of these messages of hate and bring positive changes to the community.

It is hoped that the lecture had been beneficial and provided the attendees with valuable knowledge and new perspectives on the topic.

The event was organized by Vidi Vaka.

Lecture "Design Activism" in Skopje, North Macedonia

On December 5th, I gave a lecture on design and activism in front of more than 200 guests at the Faculty of Architecture in Skopje, North Macedonia. The lecture is part of my visit to Skopje, which accompanies the opening of the Tolerance Poster Show. My lecture was introduced by the Dean of the Faculty of Architecture, Prof. Dr. Ognen Marina, and a speech was also given by the founder of Vidi Vaka, Goran Igić, who also organized these events.

Among the attendees were high school pupils from the School of Art and the gymnasium Orce Nikolov, deputy minister of Police, Mr. Vlatko Mitkovski, with teachers from the Police Academy, activists, representatives of the civic sector, Open Society Foundation, NDI and representatives of the design and comic books community.

During the two-hour lecture, which was followed by numerous questions from the audience, I spoke about activism in art, emphasizing the role of design. He shared his personal experiences and projects that connect art, design, and activism to address current global issues. 

The lecture highlighted the importance of designers taking responsibility for their work, advocating for social justice, and using their authority to raise awareness of key issues. All that sparked a long discussion about the ever-evolving role of design in shaping societal values and the power of visual communication.

Photos by Vidi Vaka.

Maumee by Milton Caniff

I recently acquired this very unusual daily comic Steve Canyon by Milton Caniff from 1968.

Milton Caniff remained loyal to his alma mater, Ohio State, often referencing it in his Steve Canyon strips as "Maumee University." In this humorous large panel, Thud Shelley, a Steve Canyon recurring character, takes center stage at the stadium after a bizarre chain of events leads to an unexpected outcome.

I was only surprised because it seemed nobody from Maumee University tried to bid for this comic. Bad for them, good for me. 

This is not my first Milton Caniff comic. You can see more here, here, and here.