Sketch illustrations for the play "Epiphany"

Some proposal sketch illustrations from the past for a poster for the play "Epiphany" by Brian Watkins.

 'An uncanny evening. Snow falls softly. An eager host gathers old friends to try and resuscitate a forgotten tradition. But when the guest of honor is unusually late, the group becomes unmoored, craving answers. And there might not be enough wine, or goose, or time to fend off the long-neglected questions that now haunt their souls.'

 

A.C. 2020 on Comic Storyteller

I am pleased to let you know that my newest book, “A.C. 2020,” was featured in this past Sunday’s edition of Comic Storyteller.

Comic Storyteller is a show created on Youth Radio (RTV) dedicated to the rich world of comics and related arts. Twice a month, authors Dušan Majkić and Petar Klaić, from their Studio Oradij in Serbia, introduce you to new editions, old masterpieces, authors, writers, collectors, and films.

You can watch the section of the show on A.C. 2020 here.

I originally created the A.C. 2020 visual essay series to express the anxiety and uncertainty caused by the COVID-19 pandemic. Over time, within the same series, I also began to address my other anxieties and visual observations. Each visual essay consists of self-contained, single-page stories created in greyish-blue tones to reflect the subject matter.

You can learn more about the A.C. 2020 book here.

 

 

Jutarnji List "A.C. 2020" Review

I am pleased to let you know that, today, the biggest newspaper in Croatia, Jutarnji list published a review of my graphic novel “A.C. 2020,” titled “Anxiety and Despair” by Patricia Kiš Terbovc.

“A.C. 2020” is published by Croatian comics publisher Fibra.

If you're interested, you can see more of my A.C. 2020 comics here.

 

New York Times Book Review Covers

Recently, cleaning out my storage, I came across these copies of the New York Times Book Reviews from 1987 to 2004 with my cover illustrations on them.

On these covers, you can see two different technological advances.

First was the New York Times Book Review, which transitioned from crude black-and-white print to color print. I actually illustrated the last black-and-white cover, which was published May 30, 1993. The other technological advancement was my own transition from using black-and-white scratchboard, first to Photoshop, and then to 3D illustration programs.

Here, you can see my cover illustrations in chronological order — one or two are missing.

I am immensely grateful to Steven Heller, the Art Director of the New York Times Book Review, who art directed all of these issues. He was also the first person in the U.S. to give me an assignment. In 1986, I went straight from the “boat” to the offices of the New York Times, and I knocked on his door.  Actually, now that I think about it, at that time, his office didn’t have a door.

Interview in Polygraphy Magazine

I am pleased to let you know that, after serving as a jurist for the International Triennial of Stage Poster in Sofia last month, I was featured in an interview by the Triennial’s co-founder, Albena Spasova, in the magazine Polygraphy.”

The magazine is the official media of the Printing Industry Union of Bulgaria, and Albena’s work to put on the Triennial has helped make it one of the most important stage poster shows in the world, so it was a great honor to be interviewed by Albena and featured in the magazine in this way.

This issue contained both the interview with me and an interview with Wiesław Grzegorczyk, who was also a member of the Triennial’s jury. Each of us was shown alongside some of our work. The next issue will include interviews with two more jury members.

Apologies to those of you who are not able to read Bulgarian, but I promise that my interview was wonderful as always. Even further apologies to those of you who can read Bulgarian.