I recently received the Slovenian version of the book “‘I am Jugoslovenka!’: Feminist performance politics during and after Yugoslav Socialism” by Jasmina Tumbas.
‘“I am Jugoslovenka” argues that queer-feminist artistic and political resistance were paradoxically enabled by socialist Yugoslavia’s unique history of patriarchy and women’s emancipation. Spanning performance and conceptual art, video works, film and pop music, lesbian activism and press photos of female snipers in the Yugoslav wars, the book analyses feminist resistance in a range of performative actions that manifest the radical embodiment of Yugoslavia’s anti-fascist, transnational and feminist legacies. It covers celebrated and lesser-known artists from the 1970s to today, including Marina Abramovic, Sanja Ivekovic, Vlasta Delimar, Tanja Ostojic, Selma Selman and Helena Janecic, along with music legends Lepa Brena and Esma Redžepova. “I am Jugoslovenka” tells a unique story of women’s resistance through the intersection of feminism, socialism and nationalism in East European visual culture."’
I’m pleased that one of my posters and illustrations, which I created in former Yugoslavia between 1979 and 1981, are included in the book.
Thursday, August 27, 2026
My Work in "I am Jugoslovenka!" Book
Monday, August 24, 2026
Illustration for Tor Book Cover
The book was art directed by Shreya Gupta.
Friday, August 7, 2026
Hedda Gabler Selected for the International Poster Biennial in Mexico
I am pleased to let you know that my poster Hedda Gabler for the JDP-Yugoslav Drama Theater in Belgrade, Serbia was selected for the Official Selection of the 19th International Poster Biennial in Mexico.
"Your work was selected from thousands of submissions received from around the world through an evaluation process conducted by our International Selection Committee. It is an honor to include your poster as part of this edition of the Biennial.
We sincerely thank you for your participation and for the trust you have placed in this project. Thanks to the commitment and talent of designers, artists, and students from dozens of countries, this edition has reached a record number of participants, strengthening the international dialogue around poster design and enriching the graphic archive that the Biennial has built over more than three decades."


